Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | The Virgin Adoring Child | Saint Hickes chart Si two th | Details of Primavera-Spring | Adoration of the Magi | Our Lady of the eight sub-angel |
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Per Ekstrom
Swedish, 1844-1935
Francois Quesnel
(ca. 1543 - 1619) was a French painter of Scottish extraction. The son of the French painter Pierre Quesnel and his Scottish wife Madeleine Digby, born in Edinburgh while his father worked for Mary of Guise, Quesnel found patronage at the French court of Catherine de Medici and her son, Henri III (illustration). He married Charlotte Richandeau, with whom he had four children. A widower, he remarried in 1584 Marguerite Le Masson, who gave him ten more children, among whom were Nicolas and Augustin, painters, and Jacques, bookseller. Portrait, possibly of Catherine-Charlotte de la Tremoille, ca 1589, attributed to QuesnelIn Paris he worked as a decorator and a designer of cartoons for tapestry, but it is as a portrait painter, both in oils and in delicately tinted pencil or red and black chalk he is chiefly remembered. Some portraits were engraved by Thomas de Leu and Michel Lasne, and in 1609 he drew a map of Paris for engraving by Pierre Vallet. He died in Paris.
Matthew Ridley Corbet,ARA
1850-1902 was a Victorian neoclassical painter who attended classes at the Slade School of Art under Alexander Davis Cooper and later at the Royal Academy Schools under Frederic Leighton, President of the Academy. Corbet went to Italy in 1880 and met Giovanni Costa, one of Leighton's friends in Rome. For the next three years he stayed and painted with Costa, eventually becoming one of the leading figures of the Macchiaioli school. He concentrated on Italian landscapes and exhibited at the Grosvenor Gallery, the New Gallery, the Royal Academy and the Paris Salon.